
Mike Bartlett Plays: Volume Two
by Mike Bartlett
Five ambitious and exciting plays by the multi-award-winning playwright, hailed as āone of the prime movers in a new golden generation of British playwrightsā (Independent), and introduced by the author.
Earthquakes in LondonĀ (National Theatre & Headlong, 2010) is an epic drama about climate change, population explosion, social breakdown and worldwide paranoia, travelling from 1968 to 2525 and back again. āThe theatrical equivalent of a thrilling roller-coaster rideā (Daily Telegraph)
Love, Love, LoveĀ (Paines Plough & Drum Theatre Plymouth, UK tour, 2010; Royal Court & Paines Plough, 2012) examines the baby boomer generation, from coming-of-age in the 1960s to retirement-age more than forty years later, in a play that ādoes the clash of generational world views with a devastating precisionā (Guardian).
The EnemyĀ is a short play in which a journalist seizes an opportunity to interview the man who shot Osama bin Laden. It was staged by Headlong as part ofĀ DecadeĀ (St Katherineās Dock, London, 2011), exploring 9/11 and its legacy.
13Ā (National Theatre, 2011) is a panoramic drama in which a young man returns to London, a city riven by social protest and upheaval, with a radical vision for the future. Premiered on the Nationalās largest stage, it confirmed Bartlettās ability to tackle epic themes with supreme assurance: āHis ambition is distinctive and immenseā (Evening Standard).
MedeaĀ (Headlong, UK tour, 2012) is a startlingly modern version of Euripidesā tragedy, exploring a womanās private fury at her husbandās infidelity, while imprisoned in her marital home. āA savage play for today, superbly well doneā (Mail on Sunday)
Mike Bartlettās other plays includeĀ CockĀ andĀ Bull,Ā An Intervention,Ā Game,Ā Wild,Ā King Charles III,Ā Albion,Ā Snowflake,Ā The 47thĀ andĀ Scandaltown, and his work for television includesĀ Doctor Foster,Ā Trauma,Ā PressĀ andĀ Life.
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by Mike Bartlett
Five ambitious and exciting plays by the multi-award-winning playwright, hailed as āone of the prime movers in a new golden generation of British playwrightsā (Independent), and introduced by the author.
Earthquakes in LondonĀ (National Theatre & Headlong, 2010) is an epic drama about climate change, population explosion, social breakdown and worldwide paranoia, travelling from 1968 to 2525 and back again. āThe theatrical equivalent of a thrilling roller-coaster rideā (Daily Telegraph)
Love, Love, LoveĀ (Paines Plough & Drum Theatre Plymouth, UK tour, 2010; Royal Court & Paines Plough, 2012) examines the baby boomer generation, from coming-of-age in the 1960s to retirement-age more than forty years later, in a play that ādoes the clash of generational world views with a devastating precisionā (Guardian).
The EnemyĀ is a short play in which a journalist seizes an opportunity to interview the man who shot Osama bin Laden. It was staged by Headlong as part ofĀ DecadeĀ (St Katherineās Dock, London, 2011), exploring 9/11 and its legacy.
13Ā (National Theatre, 2011) is a panoramic drama in which a young man returns to London, a city riven by social protest and upheaval, with a radical vision for the future. Premiered on the Nationalās largest stage, it confirmed Bartlettās ability to tackle epic themes with supreme assurance: āHis ambition is distinctive and immenseā (Evening Standard).
MedeaĀ (Headlong, UK tour, 2012) is a startlingly modern version of Euripidesā tragedy, exploring a womanās private fury at her husbandās infidelity, while imprisoned in her marital home. āA savage play for today, superbly well doneā (Mail on Sunday)
Mike Bartlettās other plays includeĀ CockĀ andĀ Bull,Ā An Intervention,Ā Game,Ā Wild,Ā King Charles III,Ā Albion,Ā Snowflake,Ā The 47thĀ andĀ Scandaltown, and his work for television includesĀ Doctor Foster,Ā Trauma,Ā PressĀ andĀ Life.












